For even more analog-style goodness, a Vintage knob adds voice-to-voice variation for genuine vintage character. The result is classic Sequential - smooth, warm, punchy sound that sits perfectly in a mix and cuts through clearly on stage.
The five voices of the Take 5 get their distinctive sound from a combination of two analog VCOs and a sub oscillator passing through a Prophet-5-lineage 4-pole analog filter. And its ingenious key-split feature gives you access to a wider playable range than other compact synths by letting you divide the 3.5 octave keyboard into two separate performance zones. Its nearly knob-per-function control panel gives you immediate access to all of its essential sound-shaping controls. With 44-full-size keys and a total width of just 26 inches, the Take 5 fits easily into your studio or on stage. Genuine Sequential sound and quality at a price within your reach. And since it’s portable, you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind. It’s the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths - whether you’re new to analog synths or a space-conscious pro. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.The Take 5 is Sequential’s most compact, full-featured, full-throttle VCO/VCF-based poly synth ever. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar.
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The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.”
A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang.
Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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